The Inheritance Part One is a long evening of theater but not a slow one. The play by Matthew López is spellbinding in the excellent production by The Tesseract Theatre Company.
Last weekend at Webster University, the production shone as brightly as the title event in Natasha, Pierre & The Great Comet of 1812. The staging by the Sargent Conservatory of Theatre Arts was extraordinary.
SATE’s Eighth Annual Aphra Behn Festival was presented on April 5, 6, and 7 at The Chapel. The company assembled an interesting evening of short new plays.
SATE established the Festival in 2017 to provide growth opportunities for women interested in directing and writing for theater. The Festival now includes transgender and non-binary artists.
Roberto Aguirre-Sacasa’s Dark Matters is probably best known for its paranormal elements. I will remember it for family dynamics that were compellingly depicted in the recent staging by the West End Players Guild.
It ranks as one of the worst floods and among US modern history’s top ten natural disasters. The Great Flood of ’93 occurred from April to October, overflowing the Mississippi and Missouri rivers and their tributaries.
The title of Don’t Wait for the Marlboro Man tells us not to wait even though the setting is a hospital waiting room. The intriguing drama by Olivier Garofalo is receiving its American premiere from Upstream Theater in an excellent production directed by Philip Boehm, who translated the play from the original German.
The Fox Theatre is once again hosting The Book of Mormon, the 2011 Tony Award–winning musical with book, music, and lyrics by Trey Parker, Robert Lopez and Matt Stone. The show is as outrageous and delightful as ever in its third national tour.